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counterpoint
Fugue in G minor
Thomas-S
1:47 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97%
Bass 12 0 3 5 90%
Bass 21 0 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97%
Bass 12 0 3 5 90%
Bass 21 0 5 5 95%
 
Baroque Again
Howard Bosler
3:31 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 1 5 5 100%
Bass 22 3 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 1 5 5 100%
Bass 22 3 3 5 100%
 
J. S. Bach: Christus, der uns selig macht (Urfassung; BWV 620A)(on Grabowski/Hauptwerk Giubiasco)
BSG
1:51 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 8 6 94%
Bass 17 0 6 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 8 6 94%
Bass 17 0 6 6 100%
Bass 12 0 3 5 100%
Bass
Trombone		 Bass 12 0 3 5 100%
 
J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714
BSG
1:22 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%
 
J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)
BSG
2:43 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
Realization Treble 16 46 5 7 100%
Tromba Treble 11 0 1 5 100%
Viola 18 0 6 6 100%
Continuo Bass 25 0 8 4 92%
Violoncello Bass 25 0 8 4 92%
Alto Treble 14 0 4 5 81%
Bass Bass 16 0 4 4 81%
Soprano Treble 11 0 1 4 81%
Tenor Treble 15 0 5 6 81%
 
First Fugue I Ever Finished
Oskar Björkman
1:16 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 1 4 6 98%
Bass 20 2 4 5 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 1 4 6 98%
Bass 20 2 4 5 71%
 
F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix
BSG
2:51 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
Soprano Treble 13 0 2 10 95%
Treble 13 0 2 10 93%
 
J.S. Bach: Unter deinen Schirmen (BWV 227, #3)
BSG
1:05 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
Alto Treble 10 0 1 5 100%
Bass Bass 14 0 3 4 100%
Tenor Treble 13 0 4 4 100%
 
T.L de Victoria: Eram quasi agnus
BSG
2:19 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
Tenor Treble 10 0 2 6 94%
Baritone Bass 12 0 3 6 59%
 
J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)
BSG
3:10 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
Oboe Treble 20 0 8 9 74%
Bass Bass 15 0 3 5 67%
Soprano Treble 17 0 6 7 64%
 
Arcangelo Corelli: Christmas Concerto (1690), Allegro (poss. model for JSB B Minor WTC-I prel.)
BSG
4:15 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 3 4 100%
Treble 18 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 3 4 100%
Treble 18 0 5 5 100%
Reallzation Treble 23 32 8 7 100%
Violoncello Bass 20 0 4 4 100%